I'm a 35 year old British photographer. I was born in Manchester but have spent most of my life in the South of England and now live in Hampshire. For a day job I work in a communications team for the National Health Service.
• What first sparked your interest in photography ?
I was never really into photography until about seven years ago. I started a new job which involved some photography; portraits, events, corporate stuff. I was given a DSLR and decided I'd learn how to use it in manual mode. I've always been quite technical minded and like to learn how things work. I quickly fell in love with photography from there, and within a few months I was hooked and it was my main creative outlet.
• How would you define your style?
The word 'straightforward' comes to mind. By which I mean just presenting things in an unadorned, unaffected way, and making the most of the camera's ability to capture realism, detail, and clarity.
• Tom your focus is very much on urban and suburban landscapes, often framed by buildings and structures, can you tell me a bit about your interest in this area and how it may have evolved from your photographic beginnings?
I used to do a lot of painting and drawing and my initial forays with photography were about using a camera to create 'instant paintings' of 'beautiful' subjects. After a while through reading and discovering about photographers and photography, I started to realise that photography has inherent qualities and it can be about more than recreating paintings and pictures with a camera. One thing that particularly interested me was how images of quite ordinary objects or scenes could take on a different quality when framed and separated from reality in a photographic print or image. In other words, worthwhile images could be made from traditionally overlooked subjects or scenes. Obviously, discovering the work of photographers like William Eggleston and Stephen Shore played a big part in this, and also the many contemporary photographers who are continuing this way of looking. Quite quickly it was possible to see meaning and value all around, in everyday places and spaces, and I started to focus more on these types of scenes, which tend to be in urban places or the borders where urban and rural intersect. I also have an interest in documenting the kinds of places we inhabit and what these places say about us and our society - so there is an aesthetic and a documentary angle in what I'm currently doing, which is what keeps it interesting for me.